A salt town at the tip of the peninsula
Piran sits at the end of a narrow peninsula, a Venetian town of tight streets that visitors may not drive into. It belonged to the Venetian Republic until its fall in 1797, and it grew on salt: its salt pans are documented from the year 804, and at Lera, in the Sečovlje park south-east of town, salt is still harvested by hand.
The centre is Tartini Square, an oval laid over the old inner harbour, which was filled in 1894 for reasons of hygiene. The bronze of the violinist Giuseppe Tartini, born here in 1692, went up in 1896; the paving is a design by Boris Podrecca from 1992. On the square stands the Benečanka, a fifteenth-century Venetian Gothic palace. On the hill above the roofs stands the church of St George, its Venetian-style bell tower crowned by the archangel Michael; the town walls have towers open to visitors; the lighthouse at the Punta dates from the nineteenth century and stands on a fortification of 1617. A tradition links the name to the Greek pyr, fire, for the signal fires once lit here.
The municipality's official name is bilingual, Občina Piran / Comune di Pirano, and in its nationally mixed area Italian is an official language alongside Slovene. Until the end of the Second World War the town was largely Italian-speaking; most of that population left in the decade after 1945, in the exodus from Istria, and the Italian community is based today at Casa Tartini, the composer's birthplace.
The limits are part of the character. The old town has been losing residents since 2011 while the rest of the municipality grows, and its population is older than the municipal average. In summer it fills with visitors: the municipality takes the largest share of tourist nights on the Slovenian coast, with Austrians and Germans ahead of Italians among foreign guests.


